Experts

Aynne Kokas

Fast Facts

  • Director, UVA East Asia Center
  • Non-resident scholar, Rice University’s Baker Institute of Public Policy
  • Member, Council on Foreign Relations
  • Fellow in the National Committee on United States-China Relations’ Public Intellectuals Program
  • Expertise on U.S.-China relations, cybersecurity, media industry

Areas Of Expertise

  • Foreign Affairs
  • Asia
  • Domestic Affairs
  • Media and the Press
  • Science and Technology

Aynne Kokas is the C.K. Yen Professor at the Miller Center, director of UVA's East Asia Center, and a professor of media studies at the University of Virginia. Kokas’ research examines Sino-U.S. media and technology relations. Her award-winning book Trafficking Data: How China Is Winning the Battle for Digital Sovereignty (Oxford University Press, October 2022) argues that exploitative Silicon Valley data governance practices help China build infrastructures for global control. Her award-winning first book Hollywood Made in China (University of California Press, 2017) argues that Chinese investment and regulations have transformed the U.S. commercial media industry, most prominently in the case of media conglomerates’ leverage of global commercial brands. 

Kokas is a non-resident scholar at Rice University’s Baker Institute of Public Policy, a member of the Council on Foreign Relations, and a fellow in the National Committee on United States-China Relations’ Public Intellectuals Program.

She was a Fulbright Scholar at East China Normal University and has received fellowships from the Library of Congress, National Endowment for the Humanities, Mellon Foundation, Social Science Research Council, Woodrow Wilson Center for International Scholars, Japan’s Abe Fellowship, and other international organizations. Her writing and commentary have appeared globally in more than 50 countries and 15 languages. In the United States, her research and writing appear regularly in media outlets including CNBC, NPR’s MarketplaceThe Washington Post, and Wired. She has testified before the Senate Finance Committee, House Foreign Affairs Committee, Congressional-Executive Commission on China, and the U.S. International Trade Commission.

Aynne Kokas News Feed

"There are Chinese blockbusters that Chinese filmmakers are making that people want to watch, and they feel less derivative than those made in Hollywood," said Aynne Kokas, a media studies professor at the University of Virginia and the author of the book "Hollywood Made in China."
Aynne Kokas Business Insider
Last year, China overtook the US to become the top film market in the world. So now the question is, does China still need Hollywood? But though Hollywood films now face a tough China market, the journey of Chinese productions to the West doesn’t seem easy either. In this episode of The Talk, we talk to Aynne Kokas, an associate professor of media studies at the University of Virginia. She shares with us her views on China-Hollywood relations in the post-pandemic era.
Aynne Kokas China Matters
China's recent crackdown on many things cultural rang some alarm bells. But what does it mean in practice? And what should US policymakers think about it? We talk to China experts Aynne Kokas and Robert Daly to understand.
Aynne Kokas Wilson Center
Aynne Kokas, a media studies professor at the University of Virginia and the author of the book "Hollywood Made in China," told Insider that the "Shang-Chi" controversy is happening "in parallel with widespread tightening" of China media and its film market.
Aynne Kokas Business Insider
According to analysts, studios are in a lose-lose position. Aynne Kokas, an associate professor of media studies at the University of Virginia and the author of Hollywood Made in China, explains that if Hollywood were to acknowledge self-censorship, the media blowback in the West would be significant, and China’s risk-averse government might blacklist Hollywood films to minimize attention.
Aynne Kokas The Atlantic
Aynne Kokas, assistant professor of media studies at the University of Virginia in the United States, believes that the entertainment industry in the United States and China will face pressure, but the pressure on Chinese artists comes from the government, and the United States comes from the market.
Aynne Kokas VOA News